Skip to content
Feb 15 / Ben

You Take Horrible Photos

If the title describes you, read on. To some, a lot of these tips will feel very obvious and repetitive from any photography material you may have read. Most of this geared towards shooting people and the main audience I’m looking to here is actually the point-and-shoot-I-don’t-know-anything crowd. With one small exception, shutter speed, I’m not going to cover anything technical. Everything I write will be stated as fact. A person might read these said facts and say “That’s not true Ben, I’ve shot XYZ this way before and it was perfect, you’re wrong.” For this reason I want to clarify that I will be stating things as true that may not be but they’re about as factual as me saying “You will never win the lottery.” Finally, when I say a photo is “good” I mean in the sense of nice lighting, not blurry, quality shot. Do not think I mean the kind of good that implies it’s an unforgettable moment captured and cherished forever.

Shoot in Full Auto – No Flash

The flash on your Point and shoot camera is garbage. It looks like ass and any picture you take with it will always look like you took it with a flash. Does that mean I’m telling you to never try and take a good picture with your flash indoors? Yeah, that’s pretty much exactly it. Anyone can absolutely still take flash pictures but don’t expect anything, you’ll just be capturing a moment.

Did you buy a camera with a variety of modes that you don’t know what they do? Don’t use them even if you think you have an inkling for what they do. Sure, some shots might look different when you take them in that mode but if you don’t understand the benefits you’ll likely use it at the wrong times. When it comes to the technical part all the camera manufactures have spent countless dollars making their auto feature better and better. The camera’s auto setting is a much better photographer than you in terms of picking the right settings for a shot. Just trust in it.

It’s No Where Near as Bright as You Think

Since I’m telling you to never use a flash you need to be conscious of the light you’re using. When shooting indoors a lot of people think just because they can see relatively well that the light is fine and it’s not. More often than not it’s too dark and too yellow. If your flash is turned off your camera’s auto mode will likely start sacrificing its shutter speed (how fast it takes the picture) to work. The shutter speed is the number you see on the camera and it reads things like 1/200, 1/120, 1/80, 1″, etc. If you’re starting to see anything less than 1/80 (one 80th of a second) reading from your camera your pictures will likely come out blurry. Either find some more light (natural light works best) or give up, turn on the flash and just take pictures. The shutter speed is usually on any details section on a photo you took and vary’s from camera to camera. Don’t worry about any of the other numbers, they’re too confusing.

There’s nothing wrong with not taking good pictures, you do this all the time already. It’s simply not possible to always be taking amazing shots without tons of equipment. This is why you hire a photographer with a lot of gear and not some kid that has an SLR and one lens to do important events. Or maybe you do, but you shouldn’t.

The Right Light

The best time to take photos is outside early in the morning, when everyone is asleep (so maybe it’s not the best time) or in the late afternoon when the sun is not directly overhead. Cloudy days are also excellent though any sky captured in your photo might look depressing. Here’s some general tips for getting good light.

  • If it’s the middle of the day find shade for your subject(s) to be in. Try to only photograph the shaded area and avoid letting the bright light bleed into your picture.
  • Do not have your subject’s face in the sun. No one likes sun in their eyes and they will squint. It will always be way too bright on their face and look washed out and terrible anyway.
  • Avoid having the brightest light right behind your subject. Your camera will put its settings to match the background light and your subject will come out dark. Typically this is a situation where a photographer would run a flash on the subjects to adjust for the light difference but since your flash is a giant pile of crap so we won’t be doing that.

Having the proper light will improve your pictures instantly. The lack of proper light is usually the number one reason your pictures suck so much.

Some Things Will Always Look Like What They Are

Taking a photo in a bar, will look like you took a photo in the bar. Ready for another self portrait in the mirror? Good for you. These photos will never be good, there is nothing you can do to fix this. Either stop doing it or never expect anything from it. Nearing three million times I’ve been asked to take a picture for a group of drunk girls at a bar and thanks to digital they instantly want to know “IS IT GOOD? HOW DID IT TURN OUT?” I know that secretly means “I’m a little fat, can you tell?” and as far as picture quality goes, there isn’t any. If all your pictures are of this variety then I’ve just solved the mystery for you of why my pictures look so much better than yours.

What’s In Your Portrait Picture?

Generally you want to be as zoomed onto your subject as you can be. If you’re taking a picture of two friends together leave just a little space on either side and above them. Fully body shots are often unappealing so avoid that. Regardless of your zoom though be mindful of their rest of the scene. The people in the background, is anyone wearing bright colors? Can you see them in the shot? They’re distracting and people will notice. What about trash cans? A guy picking his nose? Something more interesting than the people you’re shooting? Any time you have a subject you want to make sure there is nothing that will take away from them. It sounds a lot easier than it is and many people are oblivious to anything other than the people standing directly in front of them. To make this as simple as possible here’s some easy things to just flat out avoid in your backgrounds

  • Other people or pets
  • Vehicles
  • Man made objects (trash cans, neon signs, parking meters)

Some man made objects are actually good backdrops though and it’s usually the bigger then better. Objects that are generally good backgrounds are:

  • Walls, full wall. Not the entire house.
  • Train Cars
  • Fences

Ultimately the best background is just the sky. If you can take a picture that looks off into a rather blank horizon (e.g. a beach, a field) that is your best bet.

It’s Not All About the Gear

It’s true, your point and shoot will likely never take better pictures than my nice DSLR camera. I have thousands of dollars of equipment that let me do all sorts of tricks you can’t. I can shoot indoors and it looks nice, I own flashes that cost more than your entire camera and lenses that would make for a nice down payment for a new car. That doesn’t mean your camera is a load of junk though. In the right lighting almost any standard digital camera of today will take sharp, vivid, respectable pictures. Typically in a shoot I take the easy route, if I can do one or all of the things mentioned above I will. So If all goes well, your shots won’t look a hell of a lot different from mine to the untrained eye.

One Final Note

Megapixel count mean very little; don’t be put off just because yours is smaller than everyone else’s. For once it doesn’t matter and it’s really how you use it.

Leave a Comment